News

    • 04.1.17

      Robb Report

      “The draw of Nakashima is visual strength and functionality. Also, he was an interesting figure. Born in the Pacific North-west, he was immersed in his Japanese heritage while interned during...
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    • 02.1.17

      Design New Jersey

      “The doorway to the dining room remained in place, but Giuliani found space next to it for a refrigerator flanked by pullout pantries. Artisan George Nakashima signed the handmade dining...
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    • 03.16.16

      SHINICHI NAGAMI’S EXHIBITION

      Shinichi Nagami archive bereaved drawings and sketches exhibition. Dates: March 19, 2016 (Saturday) to 30 (Wed) Venue: Sakura shop in Ginza, Tokyo 11:00 to 18:30 Event 19 day 18 hour –...
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    • Architectural Digest Article
    • 10.1.15

      Architectural Digest

      “Any new business endeavor needs a hook. After all, so often the key to success is identifying a niche, some corner of the market that has not yet been adequately...
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    • Treasures Magazine
    • 10.15.15

      Treasures

      “We are left in awe by the nobility of a tree, its eternal patience, its suffering caused by man and sometimes nature, its witness to thousands of years of Earth’s...
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    • Inventory Article
    • 04.1.15

      Inventory

      “There is George, the Samurai of Aquetong Road, a woodworker who listened to the tress. There is Marion, George’s wife and true partner, who made sure the bills were paid....
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    • dwell article
    • 04.1.15

      dwell

      “Completed in 1977, the Sanso Villa or “reception house,” was the last of 13 buildings George Nakashima designed for his property in New Hope, Pennsylvania…”
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    • NY Times Article
    • 03.1.15

      NY Times

      “The exceedingly private philanthropist Maja Hoffmann shares fragments of her exquisite personal collection of art and design…”
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    • DamNo. Article
    • 03.1.15

      DamNo.

      “The American designer/craftsman with a Japanese name made his mark in the studio-furniture movement of the previous century through an uncannily Japanese approach to his work…”
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